Born in 1939 in Park City, Utah, Edward Fraughton is a distinguished American artist, sculptor and inventor, renowned for his monumental works and collector editions, many that reflect the rich history of the American West. With a civil engineering background and a Bachelor of Fine Arts from the University of Utah, Fraughton's evolution from a struggling artist to a celebrated sculptor is as captivating as the narratives portrayed in his artworks. Selected as the Portrait Society's 2024 Gold Medal Recipient, Christine Egnoski recently interviewed Fraughton about his career, inventions and latest project.
Christine Egnoski: You attended the University of Utah, majoring in civil engineering, but changed your major to sculpture. Can you tell us about that time in your life and how you made that decision?
Edward Fraughton: My University of Utah experience was somewhat exasperating. As a civil engineering student in 1957, I loved inventing and building things. I also played in the concert and marching bands, but I signed up for far too many classes.
Struggling to survive on the $15 a month my family was sending me for food, I was literally starving. I failed a couple of classes, and as a break, decided to take an art class. Most students had studied art in high school, but coming from a poor family in an old mining town that offered no art classes, I had had no formal art training.
However, as a child I had always been creating art. After my first college art class I thought, "I love engineering, I love music, and I love art." Although I hadn't yet made a decision relative to sculpture, and since I wouldn't be taking my first sculpture class until the end of my second year, I definitely made a decision to change my major to art.
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Denne historien er fra June/July 2024-utgaven av International Artist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within