We Do
I don't copy what I see, I do what I see. The difference is that my subject and I are melded together as one. That "one" being my painting or drawing deeply combining with my subject. My subject gives me visual information, which my mind and body apply to paper or canvas. All coming from years of doing.
And Thank Goodness for Art
There are times we feel life hitting us hard, and we're not able to face the days ahead. I've had plenty of this, and each time I wonder how I can handle such moments. Then into my mind comes my saving grace: do art! Yes, those two words. I've mentioned this a number of times and I'll keep repeating it. There's not a reader out there who doesn't have times of grief or turmoil. Strangely, I'll sometimes not think of that "saving grace" route. That's when my subconscious mind nudges my conscious mind to get with it and grab a pencil and paper.
We know that the art is not going to solve our problems, but we can face them stronger and better. My internal energy and durability come from creating. It helps me continue believing in myself. And that alone gives me confidence and a mighty will to push forth.
I'll add this: There have been periods when I sold nothing; moments my life was in the ditch. I remember them well. I also remember even then, creating art kept me floating, generally with an eager grin on my face. Being at my easel has always been my power pill.
Live that Fantasy
Denne historien er fra Master at Work-utgaven av International Artist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra Master at Work-utgaven av International Artist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within