I have always been fascinated by the of and I always want to achieve clean and bright colors in my work. While I was trying to master the art of painting wet-on-wet using a brush, I would tend to mix layers of wet paint and create what felt like "dirt." It was only when I switched to a palette knife that I was able to create the clean colors that I'd always desired to achieve. At the same time, the palette knife allowed me to become more expressive and much looser.
I started using a palette knife for the entire painting after I attended a workshop with Susan Sarback many years ago. It was a bit awkward at the beginning, but with practice, I became more and more comfortable and proficient with this tool. Today, I use a palette knife when I work on small plein air paintings as well as on large pieces in my studio. I use four different sizes depending on the size of the painting and whether I work on underpainting or fine details. I have not touched brushes for years.
Denne historien er fra August/September 2023-utgaven av International Artist.
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Denne historien er fra August/September 2023-utgaven av International Artist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within