cm: Can you give us an overview of just how DAACI works, and what benefits it brings for musicians and composers?
Rachel Lyske: “We created DAACI to be the next step in the evolution of music creation and to be an industry leader when it comes to AI and music. Our goal would be to empower the composers of today and tomorrow, allowing them to create music like never before with the power of collaborative and assistive AI technology.
“One of the major innovations with DAACI is that it isn’t just a generative AI that ingests loads of pre-existing music and puts out its idea of what that sounds like. DAACI’s team, is made up of composers and musicians who all respect the creative process and the rights of artists, and there are serious questions to ask about the ethics of training AI on other musicians’ copyrighted work. Our AI isn’t trained on other people’s catalogues. DAACI is different in that it composes, arranges, orchestrates and produces music with authentic and high-quality output, empowering producers and composers and giving them the opportunity to take on projects that they may not have had the capacity to deliver before. Traditionally, composers have had to compose by inputting specific note choices in a DAW, which puts all kinds of limitations on their creative process. With DAACI composers still compose by encoding their musical choices, or ‘meta-composing’, allowing the AI to compose for them on the edge. So, If you’re a game developer looking for your next soundtrack, even a dynamic soundtrack catered to the individual, DAACI can assist you to create the sonic environment you envision to help make your game worlds dynamic, engaging, and highly personal.
Denne historien er fra October 2023-utgaven av Computer Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra October 2023-utgaven av Computer Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Explore Black Salt Audio's cm bundle
In a new series, we're highlighting the best plugins from the CM Plugin Suite V3.0 and showing you how to make the most of them
DH Plugins LFO-EQ-1
Modulating your EQ parameters opens up a multitude of exciting effects. Can this affordable plugin really hit the mark? Jon Musgrave finds out
SSL Module8
Multi-effects are getting more powerful at the expense of ease of use, but Module8 manages both and is therefore pretty gr8, says Andy Jones
Dawesome/Tracktion Myth
Peter V is fast becoming the most ground-breaking plugin developer around. His latest is a synth of mythical proportions, says Andy Jones
Tailored reverbs
Reverb is a great tool, but cleverly thinking about its application can really take your mix to the next level. Here’s how to get tailoring…
Make a spicy lead with GForce Axxess
It's time to turn up the heat and Axxess a searing lead, with a little help from an ultra-cool addition to the plugin suite
Cherry Audio Chroma
If you're after a colourful new synth, Cherry Audio has something that covers the whole spectrum. Roland Schmidt looks through the prism
GForce Software VSM IV
This updated VSM continues to prove that strings are very much the thing! Roland Schmidt swots up on his virtual string theory
KATIE TAVINI
A ubiquitous name in the world of mastering, Katie Tavini’s intuitive senses and aptitude for bringing out the best in a huge array of music has been rightly praised. We were keen to catch up with Katie – fresh from moving her studio into a new setup in Liverpool – to find out more about her acclaimed approach
Make a loop into a track
It's simple to make a killer loop, but how does that become a dancefloor-filling hit? It only takes a few steps to get the process started...