By the time commercial radio began in 1973, the UK had been listening to continental and offshore commercial stations for more than 40 years. The most popular and enduring source was Radio Luxembourg, which began an English service in 1933. Only during the war years were listeners denied a commercial alternative to the BBC.
Postwar, Luxembourg continued to secure large audiences, albeit in the evening only and using a famously unreliable signal on 208 metres medium wave. As teenage pop music gained in popularity from the later 1950s, Luxembourg concentrated on this material. The BBC's output of pop music was meagre, partly due to its limited allocation of "needle time", the amount of commercially recorded music that it could play.
Several entrepreneurs rightly anticipated a demand for pop music broadcast throughout the day. Ships moored in international waters could ignore the constraints on the BBC. Radio Caroline began in 1964 and, within weeks, its audience was bigger than that of all three BBC networks combined. At one point, there were 11 "pirate" radio stations broadcasting from offshore locations. Despite their enormous popularity, complaints of interference from legitimate European broadcasters on "stolen" wavelengths prompted their closure in 1967. Despite their bravado, both Caroline ships were seized by creditors and went off air in March 1968.
While Harold Wilson's Labour government was not interested in the demand for legitimate "free" radio, the Conservative opposition had a more favourable attitude. It had been a Conservative government that ended the BBC's television monopoly by allowing a commercial alternative in 1955.
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THE FEW ON SCREEN
Steven Taylor looks at the Battle of Britain across film and TV
Table Service
Rachel Toy looks at the history of Ridgway Homemaker tableware
Hever Forever
Claire Saul studies the newly refurbished Boleyn Apartment at Hever Castle & Gardens - a castle fit for a queen
Shining a Light
Tony O’Neil tunes into the history of the last manned lightvessel
The Man With the Goldeneye
Film stills photographer Keith Hamshere describes how he came to enter the world of James Bond
THE ORIGINAL GOLDEN BALLS
lan Wheeler looks back on 70 years of Tiger comic and Roy of the Rovers, and chats to the man who edited and oversaw both titles
To Play the Queen
Chris Hallam looks back on the life of one of the UK’s best known lookalikes
POOLING RESOURCES
Martin Handley looks at what life was like after the Vernons Girls
POSTCARD FROM= SUSSEX
Bob Barton indulges in pleasure piers and fairground delights, as well as fulfilling a long-held ambition to visit the home of Rudyard Kipling
Oh, Miss Jones
Chris Hallam looks back at the origins and legacy of Rising Damp, ITV's most successful sitcom