PrøvGOLD- Free

CLOSED CHAMBERS
The New Yorker|October 28, 2024
What can memoirs by Supreme Court Justices teach us?
- AMY DAVIDSON SORKIN
CLOSED CHAMBERS

"Fools" is one of Neil Simon's lesser plays. It involves a schoolmaster who, in some imaginary past, is sent to a Ukrainian village whose residents are burdened with a curse of stupidity. The comedy is broad. But in the nineteeneighties a member of the Miami Palmetto Senior High School speech-anddebate team performed an extract, complete with an Eastern European accent, to great effect. The South Florida high-school forensics circuit took note, and other students began using the same scene, but without the same comic skill or success. "It seems to me that you are not doing Neil Simon's 'Fools," a judge told one disappointed competitor. "You are doing Ketanji Brown doing Neil Simon's 'Fools."" Learning how to be, or become, Ketanji Brown Jackson was no mean feat, even at a forensics tournament. In her new memoir, "Lovely One" (Random House), Jackson, who joined the Supreme Court in 2022, writes that she was "fiercely" competitive. She skipped her high-school commencement to compete in the National Catholic Forensic League championships. "You will have other graduations," her father said the plural noun being a reflection of the family's expectations. She won for Original Oratory, with a speech about valuing one's time.

Denne historien er fra October 28, 2024-utgaven av The New Yorker.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

Denne historien er fra October 28, 2024-utgaven av The New Yorker.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

FLERE HISTORIER FRA THE NEW YORKERSe alt
Hatagaya Lore Bryan Washington
The New Yorker

Hatagaya Lore Bryan Washington

We moved to Tokyo from Dallas because of my husband's job, an unexplainable tech gig.

time-read
10+ mins  |
March 31, 2025
A MATTER OF FACTS
The New Yorker

A MATTER OF FACTS

On the loss of two sons.

time-read
10+ mins  |
March 31, 2025
OPEN SECRET
The New Yorker

OPEN SECRET

Why did police let one of America's most prolific predators get away for so long?

time-read
10+ mins  |
March 31, 2025
BEYOND THE CURVE
The New Yorker

BEYOND THE CURVE

In medicine and public health, we cling to universal benchmarks—at a cost.

time-read
10+ mins  |
March 31, 2025
Richard Brody on Pauline Kael's "Notes on Heart and Mind"
The New Yorker

Richard Brody on Pauline Kael's "Notes on Heart and Mind"

When Pauline Kael joined The New Yorker’s staff as a movie critic, in January, 1968, the world of cinema was undergoing drastic change.

time-read
3 mins  |
March 31, 2025
CHORAL HISTORY
The New Yorker

CHORAL HISTORY

“The Alto Knights.”

time-read
6 mins  |
March 31, 2025
THE ELEMENTS OF STYLE, 2025
The New Yorker

THE ELEMENTS OF STYLE, 2025

Reliable news coverage has never been more important than it is now. Journalists must remain vigilant and rigorous in the face of a second Trump Administration. To help them do so, we are releasing an updated version of Strunk and White’s “Elements of Style.” Please refer to the following examples when writing and reporting, for as long as that’s still allowed.

time-read
2 mins  |
March 31, 2025
CHARACTER STUDIES
The New Yorker

CHARACTER STUDIES

“Purpose” on Broadway and “Vanya” downtown.

time-read
5 mins  |
March 31, 2025
DO YOU KNOW JESUS?
The New Yorker

DO YOU KNOW JESUS?

Why the Gospel stories won’t stay dead and buried.

time-read
10+ mins  |
March 31, 2025
HOME SLICE
The New Yorker

HOME SLICE

The making of an Indian American specialty.

time-read
6 mins  |
March 31, 2025

Vi bruker informasjonskapsler for å tilby og forbedre tjenestene våre. Ved å bruke nettstedet vårt samtykker du til informasjonskapsler. Finn ut mer