Many years ago, I was deliberating over a purchase. I was in my early twenties, deeply susceptible to clothing that spoke to Y2K anxiety. Think North Face-adjacent activewear for people who largely avoid physical exertion. The piece in question was a hooded gray jacket; although it lacked any of the futuristic, weatherproof materials prized by people who actually go outside, I was drawn to all the pockets—a festival of zippers, Velcro flaps, and mesh webbing. There was an interior pocket the size of a wallet, and one perfect for a pack of cigarettes. There were roomy, quilted slash pockets along the side that were ample enough for gloves or a Discman—this was the early two-thousands—and two generous chest pockets with Velcro enclosures. I checked one of them, and realized it was detachable, with a series of built-in microfibre dividers inside. The pocket was really a slim CD wallet. I was sold.
Many of us have bought items of clothing simply because of clever pockets— for me, a pair of jeans with a hidden compartment the size of a dime bag along the seam of the inner thigh is particularly memorable. But is this pocket preoccupation purely a matter of pragmatism or does it reflect some deeper psychological need?
From CDs to seeds, coins, beads: human beings have always carried things with them, and for much of our history a satchel worn around the neck, or a pouch attached at the waist, sufficed. In medieval times, men and women alike wore small bags tied to their waist or suspended by belts. For privacy, people layered clothing over these bags, cutting slits to provide easy access to their possessions. And then, at some point in the sixteenth century, European men began asking their tailors for pockets.
Denne historien er fra September 25, 2023-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra September 25, 2023-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”