When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.
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Denne historien er fra January 29, 2024-utgaven av The New Yorker.
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LIFE ADVICE WITH ANIMAL ANALOGIES
Go with the flow like a dead fish.
CONNOISSEUR OF CHAOS
The masterly musical as mblages of Charles Ives
BEAUTIFUL DREAMERS
How the Brothers Grimm sought to awaken a nation.
THE ARTIFICIAL STATE
A different kind of machine politics.
THE HONEST ISLAND GREG JACKSON
Craint did not know when he had come to the island or why he had come.
THE SHIPWRECK DETECTIVE
Nigel Pickford has spent a lifetime searching for sunken treasure-without leaving dry land.
THE HOME FRONT
Some Americans are preparing for a second civil war.
PRESIDENT FOR SALE
On a mid-October Sunday not long ago sun high, wind cool-I was in Harrisburg, Pennsylvania, for a book festival, and I took a stroll.
SYRIA'S EMPIRE OF SPEED
Bashar al-Assad's regime is now a narco-state reliant on sales of amphetamines.
TUCKER EVERLASTING
Trump's favorite pundit takes his show on the road.