On a recent afternoon in Malibu, Chris Martin, the front man of Coldplay, was enjoying a brief pause between tour dates. "We have breaks, but only in the way that Serena Williams has a banana between sets," he said, pulling his bare feet up under him. Martin, who is forty-seven, was wearing an emerald-green sweater featuring a picture of the earth, affixed with a tiny white button that said "LOVE." Later on, when he took the sweater off, he revealed a blue T-shirt with the same button. I wondered, but did not ask, how many of them he owned. It felt indicative of Martin's quintessence at this particular moment: LOVE, layered ad infinitum.
Martin was in the midst of converting an old property into a studio and the de-facto Coldplay HQ. The complex was beset by scrubby clay slopes dotted with sagebrush, California aster, evergreen oaks. Martin likes to send visitors home with unlabelled jars of fresh honey from an apiary nearby. We sat at a picnic table overlooking a meadow. In conversation, Martin is engaging, magnetic. When I apologized for putting my sunglasses on-the light had suddenly shifted-he grinned: "No, I love it. It sort of flips the script. We'll talk about your album in a minute." We'd been discussing the gurgling anxiety inherent to any romantic entanglement the fear of starting to need someone. It's an idea that arises in "feels like I'm falling in love," the swooning first single from "Moon Music," the band's tenth record, which comes out in October. "I know that this could feel like that/But I just can't stop/Let my defenses drop," Martin sings in the opening verse.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”