The fiftieth anniversary of Pablo Picasso’s death has inspired plenty of exhibitions that go big or go deep. The Pace gallery’s splendid contribution to the festivities, “Picasso: 14 Sketchbooks,” goes long, studying the evolution of the Master’s hand between 1900 and 1959. It’s a one-stop shop for motifs that even non-aficionados can rattle off (musical instruments, mistresses, jagged nudes, evil-eyed bulls) and, of course, for some of the best drawing of the last century. In the magnificent “Head of a Woman” (pictured), completed in 1924, wiggly, wayward India-ink lines coalesce into something hard and inevitable—if the rival cults of Picasso worship and Picasso hatred bore you, seek out images like this one and bask.—Jackson Arn (Pace; through Dec. 22.)
ABOUT TOWN
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Denne historien er fra November 20, 2023-utgaven av The New Yorker.
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QUARTET ISLAND
Mendelssohn on Mull celebrates chamber music away from urban pressures.
FIX YOU
The self-help positivity of Coldplay.
ILLUMINATIONS
Suzanne Jackson captures the transformative power of light.
RAT PACK
The classic rodent studies that foretold a nightmarish human future.
ROYAL TREATMENT
The unrivalled omnipresence of Queen Elizabeth IL.
WELL, WELL, WELL
Eating—and not-in the epicenter of hype diets.
NEWARK STATE OF MIND
Mayor Ras Baraka's reasonable radicalism.
DOOM SCROLLING
Social media and the teen-suicide crisis.
THE WORKER REVOLT
Harris and Walz try to stop blue-collar Americans from drifting to Trump.
THE CHIT-CHATBOT
Is talking with a machine a conversation?