In 2013, I left my job at an advertising firm and started writing fiction. I wrote more than thirty short stories, a few of which were published in the local city journal, which was perpetually on the verge of folding. Then, on the sixth of November, 2015, my dad had a sudden heart attack, the result of a hereditary disease that had already claimed five or six people in my family, the first of them at the end of the Qing dynasty, my great-great-great-uncle, a superb woodworker who could make anything from a coffin to a comb. When he was fifty-five, his heart exploded and he died on a pile of lumber. It happened so abruptly, leaving him bleeding from every orifice, that his family thought he'd been poisoned. They cut him open, and discovered that his heart was full of tiny wood shavings, enough to build a foot-high pagoda.
Ever since then, my family has suffered from heart disease, about three in every ten of us, men and women, though it's not as serious now that times have changed-none of us are woodworkers anymore, and surgery can save us. The procedure in question involves fitting a tiny engine into one of the heart's chambers, to make up for the weakness caused by the organ's abnormal fissures, and placing something like the filter of a water dispenser into the aorta, to prevent impurities from entering the heart. This operation wasn't available in my city, L, at least not anywhere I trusted, mainly because of the difficulty of fitting the filter membrane, which in L------- would be placed by hand, with something like the muscle memory of a carpenter, unlike in Beijing or America, where robots were used. Our health insurance wouldn't be accepted in America, so when my father had his attack I arranged for an ambulance to take us from the local hospital to Beijing.
Denne historien er fra October 09, 2023-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra October 09, 2023-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”