MAKEOVER
The New Yorker|September 25, 2023
Building a billion-dollar beauty brand in the influencer
MOLLY FISCHER
MAKEOVER

In 2010, Emily Weiss was working on a Vogue photo shoot in Miami when she and Doutzen Kroes got to talking about self-tanner. Weiss was, at the time, an assistant to a freelance stylist. Kroes was among the highest-paid models in the world, and (it emerged) a big fan of L’Oréal Sublime Bronze ProPerfect Salon Airbrush Self-Tanning Mist. “She was like, ‘All the other ones are crazy,’” Weiss later recalled. This one, Kroes insisted, was different—she said it didn’t even smell. Weiss picked up a bottle at the drugstore and was converted. She pitched a Vogue beauty editor and wrote up the recommendation, in what became her first byline for the magazine.

The episode contained, in miniature, the forces Weiss would harness in her career. There was the fast, casual intimacy of talking about beauty products— the conversations about lip gloss or deodorant that could make a bar bathroom (or a photo-shoot trailer) feel like a slumber party. There was the value of personal recommendations, which held up even when the person doing the recommending was perhaps not unbiased. Kroes was a L’Oréal “Ambassador”; getting people to buy such products as Sublime Bronze ProPerfect Salon Airbrush Self-Tanning Mist was her job. But Weiss wasn’t put off. An apparently heartfelt recommendation could inspire not just a purchase but some pro-bono promotional work, too.

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