
The bride, a project manager at a pharmaceutical-advertising agency, met Wordle, a New York Times digital game, in 2022. “All my friends were telling me he was great,” she said. “They’d been trying to get me into him for a while. But I’d just gotten out of a long relationship and wasn’t in a place to commit, especially not to a five-letter-word game.”
On the Washington Square Park bench where the couple was being interviewed, Donoghue admitted that her type was more “built.” “I like bald guys, actually,” she said. “All my exes before Wordle were bald human men.”
The bride’s father is a partner at the New York-based law firm Green & Ipswich, and Donoghue said she was nervous about introducing him to Wordle. “My parents are pretty traditional— high-school sweethearts and all that,” she said. “I thought, Are they going to judge me for dating someone I met online, who’s only capable of communicating through letters that Times readers type onto a gridlike interface?”
Denne historien er fra March 18, 2024-utgaven av The New Yorker.
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Denne historien er fra March 18, 2024-utgaven av The New Yorker.
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THE FRENZY Joyce Carol Oates
Early afternoon, driving south on the Garden State Parkway with the girl beside him.

UPDATED KENNEDY CENTER 2025 SCHEDULE
April 1—A. R. Gurney’s “Love Letters,” with Lauren Boebert and Kid Rock

YOU MAD, BRO?
Young men have gone MAGA. Can the left win them back?

ONWARD AND UPWARD WITH THE ARTS BETTING ON THE FUTURE
Lucy Dacus after boygenius.

STEAL, ADAPT, BORROW
Jonathan Anderson transformed Loewe by radically reinterpreting classic garments. Is Dior next?

JUST BETWEEN US
The pleasures and pitfalls of gossip.

INHERIT THE PLAY
The return of “A Streetcar Named Desire” and “Ghosts.”

LEAVE WITH DESSERT
Graydon Carter’s great magazine age.

INTERIORS
The tyranny of taste in Vincenzo Latronico’s “Perfection.”

Naomi Fry on Jay McInerney's "Chloe's Scene"
As a teen-ager, long before I lived in New York, I felt the city urging me toward it. N.Y.C., with its art and money, its drugs and fashion, its misery and elation—how tough, how grimy, how scary, how glamorous! For me, one of its most potent siren calls was “Chloe’s Scene,” a piece written for this magazine, in 1994, by the novelist Jay McInerney, about the then nineteen-year-old sometime actress, sometime model, and all-around It Girl Chloë Sevigny.