Technically, there are only four characters in Rebecca Gilman’s “Swing State,” a melancholy new drama, now at the Minetta Lane. There’s a retired guidance counsellor, Peg (Mary Beth Fisher); her troubled young neighbor, Ryan (Bubba Weiler); the local sheriff, Kris (Kirsten Fitzgerald); and Kris’s niece and deferential new deputy, Dani (Anne E. Thompson). They all cause problems for one another, even as they try their clumsy best to offer help. But the fifth character—and the one we should really be worrying about—is Wisconsin. Is anyone doing anything for Wisconsin? In 2021, the swing state of the title is teetering, both socially and ecologically, and Gilman deposits us in that trembling landscape, even though her play takes place entirely indoors.
Peg’s sprawling house sits on more than forty acres of so-called remnant prairie, a rare sliver of the tallgrass Plains, an endangered ecosystem that dates back roughly ten thousand years. “There used to be millions and millions of acres of it, all down the middle of the country, but there’s only about four per cent left now,” she tells Dani. Sheriff Kris hankers after the untilled property—she’s dying to see it “put to good use” as productive cropland—but Peg is committed to protecting her wild remnant from the corn and soybean monocultures that threaten it on all sides. A biome doesn’t necessarily obey boundary markers, however, and nitrates from huge farms are leaching into Peg’s groundwater, as pesticides drip over her fence line.
Denne historien er fra October 02, 2023-utgaven av The New Yorker.
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Denne historien er fra October 02, 2023-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”