Hitler is so fully imagined a subject—so obsessively present on our televisions and in our bookstores—that to reimagine him seems pointless. As with the Hollywood fascination with Charles Manson, speculative curiosity gives retrospective glamour to evil. Hitler created a world in which women were transported with their children for days in closed train cars and then had to watch those children die alongside them, naked, gasping for breath in a gas chamber. To ask whether the man responsible for this was motivated by reading Oswald Spengler or merely by meeting him seems to attribute too much complexity of purpose to him, not to mention posthumous dignity. Yet allowing the specifics of his ascent to be clouded by disdain is not much better than allowing his memory to be ennobled by mystery.
Denne historien er fra March 25, 2024-utgaven av The New Yorker.
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Denne historien er fra March 25, 2024-utgaven av The New Yorker.
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QUARTET ISLAND
Mendelssohn on Mull celebrates chamber music away from urban pressures.
FIX YOU
The self-help positivity of Coldplay.
ILLUMINATIONS
Suzanne Jackson captures the transformative power of light.
RAT PACK
The classic rodent studies that foretold a nightmarish human future.
ROYAL TREATMENT
The unrivalled omnipresence of Queen Elizabeth IL.
WELL, WELL, WELL
Eating—and not-in the epicenter of hype diets.
NEWARK STATE OF MIND
Mayor Ras Baraka's reasonable radicalism.
DOOM SCROLLING
Social media and the teen-suicide crisis.
THE WORKER REVOLT
Harris and Walz try to stop blue-collar Americans from drifting to Trump.
THE CHIT-CHATBOT
Is talking with a machine a conversation?