THE FALL
The New Yorker|November 27, 2023
Tumbling out of a bedroom window.
ZADIE SMITH
THE FALL

I’ve been thinking about teen-agers. I have one myself now, and of course I was one once—in a different world at a different moment—and can remember the feeling. Everything was extremity. It still is. Four waves of feminism, digital connectivity, a global wellness movement, the injunction to “be kind,” the commonplace “it gets better”—none of it seems to have put much of a dent in teen-age misery, especially not of the kind that concerns me. Watching girls gather outside the multiplexes this past summer, choosing between “Barbie” and “Oppenheimer,” I thought, Yeah, that pretty much sums it up. Brittle, impossible perfection on the one hand; apocalypse on the other. I have never forgotten the years I spent stretched between those two poles, and there was a time when I believed that the intensity of my girlhood memories made me somewhat unusual—even that this was what had made me a writer. I was disabused of that notion a long time ago, during the early days of social networks. Friends Reunited, Facebook. Turns out there’s a whole lot of people in this world who feel they never lived as intensely as they did that one particular summer. “If teen-age me could see me now, she’d be so disgusted! ” I said that to a shrink, a few years ago. To which the shrink replied, “Why assume your fifteen-year-old self is the arbiter of all truth?” Well, it’s a good point, but it hasn’t stopped me from carrying her around on my shoulder. I don’t suppose, at this point, I’ll ever be rid of her.

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