It must have been in the fall of 2011 that I first saw the great Senga Nengudi's work. That was when the art historian and curator Kellie Jones unveiled her landmark exhibition "Now Dig This!: Art and Black Los Angeles, 1960-1980" at L.A.'s Hammer Museum. An extensive and enriching display, the show included pieces by a phenomenal range of creators, among them Nengudi, John Outterbridge, Suzanne Jackson, Maren Hassinger, David Hammons, Betye Saar, Alonzo Davis, and Houston Conwillartists who helped define a time and a place that their East Coast contemporaries knew little, if anything, about. Walking into the show was like entering a new atmosphere, especially if you primarily associated the two decades that Jones was exploring with Pop art and minimalism and the few "stars" of those movements. The artists represented in Jones's powerful "other" world operated out of what I now see as a sort of spiritual necessity, a desire to use their materials-paint, wood, wire rope, what have you-to communicate the complexities of their inner view.
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Denne historien er fra March 20, 2023-utgaven av The New Yorker.
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YULE RULES
“Christmas Eve in Miller’s Point.”
COLLISION COURSE
In Devika Rege’ first novel, India enters a troubling new era.
NEW CHAPTER
Is the twentieth-century novel a genre unto itself?
STUCK ON YOU
Pain and pleasure at a tattoo convention.
HEAVY SNOW HAN KANG
Kyungha-ya. That was the entirety of Inseon’s message: my name.
REPRISE
Reckoning with Donald Trump's return to power.
WHAT'S YOUR PARENTING-FAILURE STYLE?
Whether you’re horrifying your teen with nauseating sex-ed analogies or watching TikToks while your toddler eats a bagel from the subway floor, face it: you’re flailing in the vast chasm of your child’s relentless needs.
COLOR INSTINCT
Jadé Fadojutimi, a British painter, sees the world through a prism.
THE FAMILY PLAN
The pro-life movement’ new playbook.
President for Sale - A survey of today's political ads.
On a mid-October Sunday not long ago sun high, wind cool-I was in Harrisburg, Pennsylvania, for a book festival, and I took a stroll. There were few people on the streets-like the population of a lot of capital cities, Harrisburg's swells on weekdays with lawyers and lobbyists and legislative staffers, and dwindles on the weekends. But, on the façades of small businesses and in the doorways of private homes, I could see evidence of political activity. Across from the sparkling Susquehanna River, there was a row of Democratic lawn signs: Malcolm Kenyatta for auditor general, Bob Casey for U.S. Senate, and, most important, in white letters atop a periwinkle not unlike that of the sky, Kamala Harris for President.
