A difference in the contact glance—the father’s a hard squinting challenge, the son’s sidelong and measuring.
A week earlier the luxury-real-estate-rental mogul Rodrig Cushion had sent Arwen to Reykjavík to examine and make a judgment on a rare nineteenth-century whaling captain’s house perched above a fjord with a view of dripping icebergs. Now, as he stands in the boarding line, he checks the snapshots on his phone. The most recent shows the interior entryway of that house; an umbrella jar holds several walking sticks and two ancient Inuit harpoons with whale-bone barbs; on the wall above them hangs a gleaming nineteenth-century harpoon gun. It is, Arwen thinks, whaling history in a nutshell. Such details, he knows, are priceless to Cushion. He looks at the steel gleam of the harpoons, cruel instruments. The owner is a taciturn old woman who didn’t like the sound of Cushion’s deal and pushed the door open, inviting Arwen out but not before he took that quick shot of the harpoons.
When Acme-Air’s loudspeakers rattle out the information that boarding for his flight is under way, it is 3:20 a.m. and the Icelandic sun is coming up. He calls Carolla, who takes eight rings to answer.
“So, where are you? Do you know what time it is? Are you in Boston? Will you be home soon?”
“No, I’m still in Reykjavík. We’re just boarding. Sorry, babe, I forgot the time difference. I thought I was headed home, but I have to go to New York first. Via Chicago.”
“What, Iceland to Chicago to New York?”
“Cushion’s plan. He popped it on me out of the blue. He’s in Chicago this week. Look, I’ll call from there or New York. I don’t know what he wants.”
“Well—don’t call at midnight. And as long as he pays for the travel he can do that, right? You get to go to marvellous places—golden sands of Araby and all that.”
Denne historien er fra July 08, 2024-utgaven av The New Yorker.
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Denne historien er fra July 08, 2024-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”