If you were to say to me, “You can be in a room with either Chris Rock or the Pope,” I’d say, “Chris Rock, please.” Nothing against the Pope, but he’s never made me laugh. Neither has he come up with a viable solution to America’s gun problem the way Chris Rock has, saying that the firearms themselves can be unregulated but that every bullet should cost five thousand dollars.
“O.K.,” you’d continue. “Julia Louis-Dreyfus or the Pope?”
“Oh, no question,” I’d tell you. “The cursing on ‘Veep’ amounted to poetry, so Julia Louis-Dreyfus.”
“Stephen Merchant or—”
“Stephen Merchant.”
The same goes for Stephen Colbert, Mike Birbiglia, Tig Notaro, Conan O’Brien, Whoopi Goldberg, Jimmy Fallon, Ramy Youssef, and Jim Gaffigan—most of whom I know or have met at one time or another.
The crazy thing is that I didn’t have to choose between any of the above and the Pope. For reasons I will never quite understand, I got to be in a room with all of them—plus a hundred or so others who had also been summoned, without much advance notice, to the Vatican on a late-spring morning in June, when Rome was hot but not so hot that all you could talk about was how hot it was.
Like everyone I spoke to the night before our papal audience, when, minus Jimmy Fallon, the American contingent gathered for dinner, I’d initially thought that my invitation—which was sent by e-mail—was spam. “Right,” I said to the screen of my laptop. “Nice try, Russia.” I didn’t click on the attachment until Stephen Colbert assured me that it was legitimate, and that the Pope really did want to meet with comics and humorists from around the world in three days’ time, and at six-forty-five in the morning. The invitation made it sound like there’d be a dialogue, as if the Pope had questions or needed to ask us a favor, something along the lines of “Do you think you could maybe give the pedophilia stuff a rest?”
Denne historien er fra September 09, 2024-utgaven av The New Yorker.
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Denne historien er fra September 09, 2024-utgaven av The New Yorker.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”