As a man of fifty-plus, he had dark hair with hardly any gray and thick stubble; he shaved with great tenacity, leaving only his magnificent mustache, which he cared for and curled with the use of a pomade, the base ingredient of which was tallow. As a result, his son, Mieczysław, forever associated the smell of rancid fat with his father; it was his second, aromatic skin.
January could easily have made a good second marriage, but he had lost all interest in women, as though his wife, who had died several months after giving birth, enfeebled by the effort of producing a child and by some sort of inexplicable depression, had permanently destroyed his trust in the fairer sex—as if he felt cheated by this, or even disgraced. She had given birth and promptly died! What nerve! His mother had passed away prematurely, too. There was something wrong with these mothers; they seemed to do a terribly dangerous job, risking their lives tangled in lace in their boudoirs and bedrooms, leading a lethal existence among the bedclothes and the copper pans, among the towels, powders, and stacks of menus for every day of the year. In Mieczysław Wojnicz’s family world, the women had vague, short, perilous lives, and then they died, remaining in people’s memories as fleeting shapes without contours. They were reduced to a remote, unclear impulse placed in the universe temporarily, for the sole purpose of its biological consequences.
Denne historien er fra June 03, 2024-utgaven av The New Yorker.
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Denne historien er fra June 03, 2024-utgaven av The New Yorker.
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THE ST. ALWYNN GIRLS AT SEA SHEILA HETI
There was a general sadness that day on the ship. Dani was walking listlessly from cabin to cabin, delivering little paper flyers announcing the talent show at the end of the month. She had made them the previous week; then had come news that the boys' ship would not be attending. It almost wasn't worth handing out flyers at all—almost as if the show had been cancelled. The boys' ship had changed course; it was now going to be near Gibraltar on the night of the performance—nowhere near where their ship would be, in the middle of the North Atlantic sea. Every girl in school had already heard Dani sing and knew that her voice was strong and good. The important thing was for Sebastien to know. Now Sebastien would never know, and it might be months before she would see him again—if she ever would see him again. All she had to look forward to now were his letters, and they were only delivered once a week, and no matter how closely Dani examined them, she could never have perfect confidence that he loved her, because of all his mentions of a girlfriend back home.
WHEELS UP
Can the U.K.’s Foreign Secretary negotiate a course between the E.U. and President Trump?
A CRITIC AT LARGE - CHECK THIS OUT
If you think apps and social media are ruining our ability to concentrate, you haven't been paying attention.
PARTY FAVORS
Perle Mesta and the golden age of the Washington hostess.
CHARLOTTE'S PLACE
Living with the ghost of a cinéma-vérité pioneer.
THE CURRENT CINEMA - GHOST'S-EYE VIEW
“Presence.”
MILLENNIALS: WHERE ARE THEY NOW?
Fame is fickle, and no one knows this better than millennials. Once, they were everywhere—in television laugh tracks for “The Big Bang Theory,” in breathless think pieces about social-media narcissism, and acting the fool in 360p YouTube comedy videos. Then—poof! Gone like yesterday’s avocado toast.
ANNALS OF INQUIRY: CHASING A DREAM
What insomniacs know.
THE MASTER BUILDER
Norman Foster's empire of image control.
INTIMATE PROJECTS DEPT. THE GOLDFISH BOWL
There are roughly eight hundred galleries that hold the permanent collection of the Met, and as of a recent Tuesday morning the married writers Dan and Becky Okrent had examined every piece in all but two.