THE CINEMATIC & BROADCAST CAMERAS – A RINGSIDE OVERVIEW

Broadcasters & cinematographers are looking at deploying cameras, which have the ability to deliver features that are more complex. From being able to capture cinematic-style video and have, the added panache of shallow depth of field and features like 4K, UHD and HDR capabilities. This article focusses on some of the film and broadcast cameras, which have the unique facets, which are able to satisfy the creative community of DOPs and broadcasters.

ARRI ALEXA 35 CAMERA

The ARRI ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, better low light performance, and richer colors. The new REVEAL Color Science takes full advantage of the sensor’s image quality, while ARRI Textures enhance in-camera creativity. Easy operation, robust build quality, new accessories, and a complete new mechanical support system round out the ALEXA 35 platform.

MORE DYNAMIC RANGE, CONTRAST, AND SENSITIVITY

ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects.