New Delhi-bred and Mumbai-based artist Ishani Majumdar aka DJ Ishani hails from a music-oriented family and she knew that music was always something she wanted to pursue. She says, “I knew it wasn’t going to be the traditional classical Indian music route that my mother and my grandmother were into but since music was definitely in my blood, it was just a matter of figuring out how to make it a career in a way that suited me.”
The career path that Majumdar chose is that of a DJ and she’s been spinning spellbinding sets across clubs and festivals around India for more than 10 years. We recently caught up with her to talk about what her journey has been like as a DJ, some of her milestones, what she has planned going forward and more. Read below.
When did DJing first pique your interest and do you recall the first time you wanted to be a DJ?
Sometime during my college years as I was clubbing in Bombay, it struck me that this was potentially a path I could pursue, so I decided to learn DJing and never looked back since.
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Denne historien er fra August 2023-utgaven av RollingStone India.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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