On an oddly cold and rainy day in my city last week, I was tearing my hair over an unstable network shortly before this interview. That night, at 10:30 p.m. IST, Eric Nam was joining me on Zoom to go over his impending gig in India at Lollapalooza 2024. And there he was, just in time; only the anticipatory anxiety in me came true thanks to awful weather and spotty internet. We got off to a shaky start, and Nam was like, “Sorry, I didn’t catch the second part of your question” and “Could you please repeat? It’s choppy” a couple of times while I whistled in the dark, to keep it cool. However, and thankfully, better along the way, we had roughly a 40-minute conversation—unfolding a freewheeling artist. One wearing his heart on his sleeves through music, who creates what he feels, is willing to challenge himself persistently, explore unchartered territories, and loves India—he is “so stoked” to finally return to India.
How does connecting with an Indian audience [live] make you feel ahead of the concert? I ask, “I’m very, very excited. I have been looking forward to this,” he says. Anecdotally, he hasn’t been back to India since 2011. “I imagine there’s a lot that has changed in 13 years, and I’ve never performed in India either. So, I’m very curious, I’m very excited, and it’s with a lot of anticipation to know what the crowd in India will be like. But more than anything, I think that for the fans who are there to see me, I’m going to bring out a lot of the old hits but also some of the new ones, and we’re going to have a good time and dance, hopefully like no one’s watching,” he adds.
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Denne historien er fra February 2024-utgaven av RollingStone India.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
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Meet the Women DJs Shaping Global EDM
For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
Is India's Music Festival Season : Privilege Only Few Can Afford?
With soaring ticket prices, are Inda's music festivals slipping out of reach for the average fan?
Unpacking the Excitement and Inspiration of SXSW Sydney
The festival underscored the essential role of music as a universal language shaped by local culture
How Earthgang Fought the Algorithm and Won
Atlanta duo discuss their new album, Perfect Fantasy, working with Pharrell and Snoop, and staying independent
Foster The People: 'Fame can literally shorten your life-it's intense, and it gets in your head'
We caught up with the iconic indiepop icon Mark Foster to talk 2024's Paradise State of Mind, creative influences, and the personal journey of an artist
Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
British art-rock band's vocalist-guitarist Jonathan Higgs talks about performing at Bandland 2024 in Bengaluru and having die-hard fans who'll talk to them about politics as well as personal stories
INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
SPOTIFY IS PUTTING INDIA'S DIVERSE HIP-HOP VOICES AND REAL STORIES IN THE SPOTLIGHT
TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
The singer reached a new peak when her song ‘Nasty’ went wildly viral. Now, Tinashe is energized and ready for more
