THINK BACK TO EARLY 2019, A TIME when the Avengers were yet to face their endgame, and the words “superhero” and “fatigue” were rarely mentioned in the same sentence. The Marvel Cinematic Universe was still 100% cinematic, The Boys were yet to push the boundaries of superpowered good taste, and the Arrowverse was still the primary destination for comic book-inspired TV shows.
This was the world that first welcomed The Umbrella Academy, Netflix’s adaptation of Gerard Way and Gabriel Bá’s Dark Horse comic about a superpowered – but prodigiously dysfunctional – family, a clan who made the Avengers look like the Waltons. Not that showrunner Steve Blackman ever thought he was operating in the same space as Marvel and DC’s biggest hitters
“If I’m honest with you, I don’t see this as a superhero show,” he tells SFX. “‘A dysfunctional family show with a body count’ has been my logline as I write it. I love that the Hargreeves family have these abilities, but I think you could also have this show where they’re just an interesting family of siblings.
“The Royal Tenenbaums was definitely one of my main driving factors in the way I saw The Umbrella Academy,” he adds, “and to be honest, I’m a little sad that I won’t get to write this family any more after this year.”
HAPPIER FAMILIES
Why the abrupt full stop? It’s already been confirmed that the upcoming fourth season will be the show’s last, bringing the Hargreeves siblings’ dimension-hopping squabbles to an end. But first, they’re going to have to deal with a dilemma familiar to Superman, Spider-Man and several X-Men: what do you do when your superpowers desert you? The Temps Commission – known, in our dimension, as Netflix – have asked SFX not to reveal where the powered-down Hargreeves find themselves at the start of the season, but it’s safe to say they will, at some point, become super again.
Denne historien er fra August 2024-utgaven av SFX UK.
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Denne historien er fra August 2024-utgaven av SFX UK.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
