REALLY FOUND MY FAITH WHEN I heard that the government was opposed to the film. If NASA took the time to write me a 20-page letter, then I knew there must be something happening,” director and self-proclaimed UFO fanatic Steven Spielberg once said, regarding the impetus for making his 1977 epic Close Encounters Of The Third Kind.
Originally envisaged as a low-budget sci-fi movie titled Watch The Skies that was inspired by his childhood memories of witnessing a spectacular meteor shower, Close Encounters ultimately took its philosophy and elongated title from the 1972 book The UFO Experience: A Scientific Inquiry.
Written by astronomer and former UFO skeptic turned advocate Dr J Allen Hynek, the book stated that a Close Encounter of the First Kind was a UFO sighting with no evidence; the Second Kind was where a UFO leaves physical evidence, and the Third was when actual contact was made. Appropriately, Spielberg hired Hynek as a scientific consultant to lend legitimacy to proceedings.
Drawing on elements of his 1964 UFO home movie Firelight, Spielberg wrote this very personal project himself. It focuses on frustrated father Roy Neary (Richard Dreyfuss), an electrical engineer whose confrontation with a UFO overturns his everyman existence. Suddenly, Roy’s inner child is unleashed as he becomes strangely obsessed with recreating the inexplicable vision of what turns out to be Devils Tower, a unique geological formation.
Denne historien er fra February 2024-utgaven av SFX UK.
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Denne historien er fra February 2024-utgaven av SFX UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
