FIFTEEN YEARS AGO, DIRECTOR Karyn Kusama and BAFTA- and Academy Award-winning screenwriter Diablo Cody disrupted the horror genre with their gory feminist romp Jennifer's Body. On release, many audiences didn't quite get the humour and subtext of their revenge fantasy starring Megan Fox. But in the years since, critics have re-evaluated the film as being delightfully subversive and underappreciated.
Now Cody has circled back to the genre with her original screenplay Lisa Frankenstein.
Essentially a love letter to her goth youth in the '80s, Cody's script fuses together the DNA of Mary Shelley's Frankenstein with Tim Burton's oeuvre and a sprinkling of David Lynch's Wild At Heart.
Cody tells Red Alert that the idea for Lisa Frankenstein was born out of the lockdowns of the pandemic. She had spent years working on the book for the Alanis Morissette musical Jagged Little Pill, and then life crushed their efforts. "The show opened on Broadway in December 2019 and then proceeded to shut down immediately due to the pandemic," she sighs.
"So I'm sitting at home. I have three kids. At the time, I had a pretty fresh divorce and I didn't really know what to do with myself.
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FERAL FEMMES
IN JUST TWO SEASONS OF SHOWTIME'S HIT HORROR series Yellowjackets, there's been a catastrophic plane crash, a wild wolf attack, several affairs, a lot of murders and two cannibalistic feasts.
LOVE ON THE EDGE
THE \"DOOR TO HELL\" IS THE UNLIKELY SETTING FOR ROMANCE IN THE GORGE. DIRECTOR SCOTT DERRICKSON EXPLAINS HOW HE MASHED MULTIPLE GENRES TOGETHER FOR HIS VALENTINE'S DAY ACTION-HORROR
MATT'S BACK
Charlie Cox talks wearing the horned cowl again...
DANGING WITH THE DEVIL
AFTER A TUMULTUOUS PRODUCTION, DAREDEVIL FINALLY RETURNS FOR HIS OWN SERIES. SFX MEETS THE TEAM BEHIND BORN AGAIN...
RETURN OF THE KING
Vincent D'Onofrio on Wilson Fisk's terrifying rise to power
Doom's Day
New sorcerer supreme Victor von Doom casts a spell on the Marvel Universe in One World Under Doom
NEVER SAY NEVER AGAIN
THE CREATORS OF THE POOHNIVERSE ARE BACK TO TWIST MORE CHILDHOOD TALES WITH PETER PAN'S NEVERLAND NIGHTMARE
THE MONKEY
OZ PERKINS MARCHES TO THE BEAT OF HIS OWN DRUM IN STEPHEN KING ADAPTATION
Superhero Blues
Invincible's executive producers promise a dark season of growth and angst
PART OF YOUR WORLD
IMAGINE IF IN HANS CHRISTIAN Andersen's The Little Mermaid, when its heroine is asked to trade in her voice for legs so she can woo her mortal infatuation on shore, she simply barked back:
