A MEGA CRUISE SHIP, somewhere in the middle of the ocean. A missing crew member, and a brother who will stop at nothing to discover the truth. A masked killer, slaughtering a crew of teenagers in increasingly grisly ways...
No, that isn't the preview of the latest Hollywood horror blockbuster; it's the premise of Wreck, a six-episode black comedy slasher series from writer Ryan J Brown. And it's British. Hang on... a British slasher TV show?
No one could have been more surprised than Brown himself. "I've always found that horror in general is the most difficult sell in the UK for television," he tells SFX. "I was constantly told commissioners were not really looking for that, but I kept ploughing away."
Brown, who was awarded a BAFTA New Writing Prize for TV Drama in 2016, insists "It's my favourite genre. I've only been writing for five years, but from the off I wanted to create a horror series, a British horror series."
Key to Brown's pitch was the location. "It had to be the perfect setting, something that we'd not seen before. And no one's ever done a cruise ship - ever." He considers. "Obviously in films they have, like in Ghost Ship. But it's empty. It's not a fully working cruise ship.
"It's the perfect setting," he adds, "because that whole world is fascinating and scary in so many ways."
Brown may not have set foot on one himself, but after five years' research, he's now fully up to speed on the cruising scene. "I trained as an actor a long time ago, so I know a lot of cruise ship performers. There were lots of people I could speak to from different levels on board the ship. And there are so many things you can read out there there are some strange websites. There's a cruise ship deaths website; it's people who keep track of murder, missing people and assault."
Denne historien er fra November 2022-utgaven av SFX UK.
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Denne historien er fra November 2022-utgaven av SFX UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS