WHEN GHOSTBUSTERS: Afterlife reached cinemas, the franchise was a proton blast away from being trapped and tossed into the basement for another 30 years. Paul Feig’s female-fronted reboot in 2016 had disappointed at the box office, and no one knew whether that misfire would haunt Afterlife as it tried to win back audiences by bringing back the original ’Busters.
“With Afterlife, [director] Jason [Reitman] and I felt, both in conceiving and writing it, and then watching that film come to life, that it was like finding a rusty old proton pack wrapped in a cloth in the garage and having to dust it off, turn it on, and see if it still fires,” co-writer Gil Kenan tells SFX.
“A lot of that film was about tapping into the original spark of inspiration for Ghostbusters and rekindling it, both in terms of new characters and audiences, so that same magic could be brought back into focus on the screen. That was the goal, and we’re immensely proud of the characters that were brought to the screen.”
The result was a resounding success, not only financially and critically but with the franchise’s fans, who approved of the creative team’s choice to focus on Egon Spengler’s family as they reckoned with the founding Ghostbuster’s history of spirit-hunting.
“Afterlife was introducing the world to the Spengler family and to the idea that Ghostbusters could be a going concern into the 21st century,” Kenan continues. “But that was laying the groundwork for a world of storytelling. Now the toys are laid out on the floor, ready to be played with.”
EVOLUTION
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Denne historien er fra March 2024-utgaven av SFX UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Making Alien - Jaws in Space - Forty-five years on from its original release, Alien continues to terrify. We dissect what arguably remains the most chilling instalment in the saga
The seven-strong crew of the commercial mining spacecraft the Nostromo seal their fate after reluctantly responding to a mysterious distress signal on a hostile planet. Here, a face-hugging alien from a derelict ship impregnates and later kills executive officer Kane (John Hurt) after its offspring is birthed onboard. After being unleashed, the fearsome newborn with acid for blood proceeds to dispatch the remainder of the crew.Ridley Scott's much more convoluted prequels have yet to reveal how the knowledge that led to this initial interception was acquired. However, the premise of the original Alien is perfect in its uncomplicated purity.
PURE AND SIMPLE
IN THE FINAL PART OF OUR EXCLUSIVE INTERVIEW, SHOWRUNNER RUSSELL T DAVIES TALKS RELAUNCHING DOCTOR WHO
TO CAP IT ALL OFF
CELEBRATING 40 YEARS OF THE BBC SERIES THE TRIPODS
FRENCH REVOLUTION
THE WALKING DEAD SPIN-OFF SHOWRUNNER DAVID ZABEL ON BEING GIVEN THE TOUGH TASK OF REUNITING DARYL AND CAROL IN FRANCE
SILENT KILLERS
THE DIRECTOR OF HOLLYWOOD'S SPEAK NO EVIL REMAKE ON HORROR, COMEDY AND JAMES MCAVOY
BRING OUT YOUR DEAD
THE GHOST WITH THE MOST RETURNS FINALLY - IN BEETLEJUICE BEETLEJUICE
TEENAGE DREAM
JOE LOCKE HITS THE ROAD RUNNING
MOB RULE THE PENGUIN
GOTHAM'S UP FOR GRABS IN BRUISING NEW CRIME SAGA BUT WHERE IS THE BATMAN?
SEASON OF THE WITCH
AS MARVEL TELEVISION CARVES OUT A NEW PATH FOR ITSELF, WE SPEAK TO CREATOR JAC SCHAEFFER, PLUS A CAST OF STARS LED BY KATHRYN HAHN AND JOE LOCKE, ABOUT THE MAGIC OF WANDAVISION'S SPIN-OFF AGATHA ALL ALONG
Ghouls Allowed
Even silence can't save you at this year's Halloween Horror Nights