FOR ROB MARSHALL, DIRECTING a live-action version of The Little Mermaid felt something like destiny. “In 1989, when [the animated movie] came out, it really was the return of the movie musical,” he tells SFX. “When I did [directorial debut] Chicago, I felt a deep connection with Mermaid, because they had kicked the door open for movie musicals, and we then pushed the door even further with a live-action musical. Audiences were ready to accept actors actually moving from scene into song. So when they came and asked me to do this, it felt like fate.”
The original Little Mermaid was, at the time, a bold move for Disney, the company putting its weight behind an untested female-led animated picture. The result kickstarted a decade-long period known as the Disney Renaissance, which saw Beauty And The Beast, Aladdin and The Lion King all being produced. Of course, more recently, those three movies have all been remade in live-action, and now The Little Mermaid’s making the jump. This one, however, is different.
On a narrative level, The Little Mermaid is one of the more controversial Renaissance-era products. Ariel, the eponymous protagonist, seeks to live among the humans on the surface world and makes a deal with the evil sea witch Ursula to give up her voice and family to be with Eric, a Prince Charming-like character. Actress Keira Knightley made headlines a few years ago when she revealed that she had banned her children from watching The Little Mermaid. “The songs are great,” she said, “but do not give your voice up for a man!”
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Denne historien er fra June 2023-utgaven av SFX UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Making Alien - Jaws in Space - Forty-five years on from its original release, Alien continues to terrify. We dissect what arguably remains the most chilling instalment in the saga
The seven-strong crew of the commercial mining spacecraft the Nostromo seal their fate after reluctantly responding to a mysterious distress signal on a hostile planet. Here, a face-hugging alien from a derelict ship impregnates and later kills executive officer Kane (John Hurt) after its offspring is birthed onboard. After being unleashed, the fearsome newborn with acid for blood proceeds to dispatch the remainder of the crew.Ridley Scott's much more convoluted prequels have yet to reveal how the knowledge that led to this initial interception was acquired. However, the premise of the original Alien is perfect in its uncomplicated purity.
PURE AND SIMPLE
IN THE FINAL PART OF OUR EXCLUSIVE INTERVIEW, SHOWRUNNER RUSSELL T DAVIES TALKS RELAUNCHING DOCTOR WHO
TO CAP IT ALL OFF
CELEBRATING 40 YEARS OF THE BBC SERIES THE TRIPODS
FRENCH REVOLUTION
THE WALKING DEAD SPIN-OFF SHOWRUNNER DAVID ZABEL ON BEING GIVEN THE TOUGH TASK OF REUNITING DARYL AND CAROL IN FRANCE
SILENT KILLERS
THE DIRECTOR OF HOLLYWOOD'S SPEAK NO EVIL REMAKE ON HORROR, COMEDY AND JAMES MCAVOY
BRING OUT YOUR DEAD
THE GHOST WITH THE MOST RETURNS FINALLY - IN BEETLEJUICE BEETLEJUICE
TEENAGE DREAM
JOE LOCKE HITS THE ROAD RUNNING
MOB RULE THE PENGUIN
GOTHAM'S UP FOR GRABS IN BRUISING NEW CRIME SAGA BUT WHERE IS THE BATMAN?
SEASON OF THE WITCH
AS MARVEL TELEVISION CARVES OUT A NEW PATH FOR ITSELF, WE SPEAK TO CREATOR JAC SCHAEFFER, PLUS A CAST OF STARS LED BY KATHRYN HAHN AND JOE LOCKE, ABOUT THE MAGIC OF WANDAVISION'S SPIN-OFF AGATHA ALL ALONG
Ghouls Allowed
Even silence can't save you at this year's Halloween Horror Nights