Francis Rossi and Rick Parfitt had already begun to reshape Quo's sound, moving away from the psychedelic pop of their hit single Pictures Of Matchstick Mento embrace a harder rock direction on their third album Ma Kelly's Greasy Spoon. But when they heard The Doors' song Roadhouse Blues blasting at high volume in that club, it was a genuine eureka moment.
As Rossi now recalls: "We'd been watching this couple dancing, and when Roadhouse Blues came on they started moving in a totally different way; really sexy. The tempo was like, 'wow!' We were mesmerised by it."
What Rossi and Parfitt heard in Roadhouse Blues was the template for the heavy boogie shuffle that would make Status Quo one of the greatest and biggest selling rock groups of the '70s. The song became fixture in Quo's live set, and was recorded for their definitive 1972 album, Piledriver.
"Fundamentally," Rossi says, "what made it work was Rick playing that rhythm and I played off that. He played very much downstrokes and I had the left swing stroke, and they worked so well together."
For Quo, simplicity was key. As Rossi says with a smile: "Everybody used to say how great Clapton was, but I remember saying to Eric, 'You try playing that one riff for eight f*cking minutes!""
But where Quo stayed faithful to the original Roadhouse Blues, many other artists have taken the opposite approach - by radically reinventing a famous song. And at the top of TG's list of the The 100 Greatest Cover Versions - as voted by our readers - is a perfect example of interpretive genius from a visionary guitarist...
SUPERSTAR SONIC YOUTH
Denne historien er fra August 2024-utgaven av Total Guitar.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra August 2024-utgaven av Total Guitar.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
POSITIVE GRID SPARK 2
The sequel to the world's most popular smart guitar amp is here
JACKSON PRO PLUS XT SOLOIST SLAT HT6 BARITONE
We get low with this fast-playing, all-black modern metal machine
GUILD POLARA DELUXE
A’70s staple gets a bit of are-jig, o4 years after it was introduced
NEURAL DSP NANO CORTEX
Neural DSP's second pedal might be the ultimate compact all-in-one rig
EPIPHONE JIMI HENDRIX LOVE DROPS FLYING V
Prepare to kiss the sky with Epiphone's latest 'Inspired By...' model
JIMMY PAGE
\"I was using what was really meaty!\"
EDDIE VAN HALEN
“You either capture the vibe or you don't!”
MYTH BUSTERS: THE CABLE DESTRUCTION TEST
Need to know whether gear is worth your cash? Who you gonna call...
JOHN FRUSCIANTE'S LETTER FROM AMERICA
Our July 2006 issue featured none other than John Frusciante of the Red Hot Chili Peppers on the cover, with a line of text promising discussion of meditation, drugs, Hendrix and some chat about the band’s then-latest album, Stadium Arcadium.
CHALLENGE CHARLIE
Ata time when TC's staff were getting, frankly, rather silly, one man stood up to take on the daftest of all our challenges...