Canvas the City - Martha Diamond captured the brisk energy of Manhattan.
Vogue US|November 2024
How do you capture a city as frenetic as New York? For the late artist Martha Diamond, it meant looking up. In her soulful paintings of New York City’s skyscrapers, Diamond used loose ropes of color that land somewhere between abstraction and figuration. Though sparse in detail, her buildings teem, as the city does, with life. Diamond made most of her paintings in her loft on the Bowery, where she lived from 1969 until her death last December, at age 79. Throughout her five-decade career, she didn’t so much re-create what she saw as channel its slippery essence. “I know the city has straight lines or edges,” she said in 1989, “but as I walk around, the ending or beginning of substance becomes less absolute.” Her buildings sway in the wind and glisten in the light. “I think her work is still startling,” says poet Eileen Myles, who was a longtime friend of Diamond’s. “It’s there to wake people up.”
By Grace Edquist
Canvas the City - Martha Diamond captured the brisk energy of Manhattan.

How do you capture a city as frenetic as New York? For the late artist Martha Diamond, it meant looking up. In her soulful paintings of New York City’s skyscrapers, Diamond used loose ropes of color that land somewhere between abstraction and figuration. Though sparse in detail, her buildings teem, as the city does, with life. Diamond made most of her paintings in her loft on the Bowery, where she lived from 1969 until her death last December, at age 79. Throughout her five-decade career, she didn’t so much re-create what she saw as channel its slippery essence. “I know the city has straight lines or edges,” she said in 1989, “but as I walk around, the ending or beginning of substance becomes less absolute.” Her buildings sway in the wind and glisten in the light. “I think her work is still startling,” says poet Eileen Myles, who was a longtime friend of Diamond’s. “It’s there to wake people up.”

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Nothing Like Her
Vogue US

Nothing Like Her

Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.

time-read
10+ mins  |
November 2024
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
Vogue US

Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.

If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines

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4 mins  |
October 2024
Different Stages
Vogue US

Different Stages

A trio of novels spirits you far away.

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2 mins  |
November 2024
The Wizard
Vogue US

The Wizard

Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.

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3 mins  |
November 2024
THE SEA, THE SEA
Vogue US

THE SEA, THE SEA

A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.

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7 mins  |
November 2024
STAGING A COMEBACK
Vogue US

STAGING A COMEBACK

Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.

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10 mins  |
November 2024
Simon Says
Vogue US

Simon Says

Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.

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10+ mins  |
November 2024
MOTHER SUPERIOR
Vogue US

MOTHER SUPERIOR

The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.

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8 mins  |
November 2024
WALK THIS WAY
Vogue US

WALK THIS WAY

THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.

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1 min  |
November 2024
Written in Stones (and Etched in Metal)
Vogue US

Written in Stones (and Etched in Metal)

Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.

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4 mins  |
November 2024