It was late in the summer in Los Angeles, with all the dry heat and burnished sunlight that implies, and Billie Eilish was sitting in a dark room, busy changing her mind. The singer was halfway through editing the music video she had directed for “Birds of a Feather,” her latest astronomically successful hit song (nearly 1 billion streams) off her latest astronomically successful hit album (nearly 4 billion streams at the time), when she encountered a problem: She realized she hated it. Well, not hated. “I was like, this ain’t it,” she says.
She’s telling this story, about the music video that wasn’t, a few days after she came to that particular realization. We are sitting in the cool dark of her rehearsal space, curled up on a couch with her gray rescue pit bull, Shark, gently snoring between us. She is dressed in the kind of figure obscuring oversized streetwear she’s favored (with certain gala and editorial exceptions) since she first became famous: wide khaki cargo shorts, black and white FTP high-tops, a well-loved orange Air Jordan tee. It’s as good an outfit as any for writing the next page of the rest of your life.
Eilish has been directing her own music videos for the past five years. But in this case, faced with the not-quite working video, she decided to start over and hand the reins to someone else: Aidan Zamiri, a friend who also directed the video for the Eilish-featuring remix of Charli XCX’s “Guess.” And she found she enjoyed ceding control. “I’ve kind of proven myself as a director,” she shrugs. It ’s a stance that embodies where Eilish is in 2024: 22 years old and nine Grammys into the kind of annually escalating superstardom most artists could only dream of. She is now learning how she wants to be in the world, and it feels a little like a moment—like she’s graduated, or just grew up.
Denne historien er fra November 2024-utgaven av Vogue US.
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Denne historien er fra November 2024-utgaven av Vogue US.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
SCREEN TIME
Three films we can't wait to see.
Impossible Beauty
Sometimes, more is more: Surreal lashes and extreme nails put the fierce back in play
Blossoms Dearie
Dynamic, whimsical florals and the humble backdrops of upstate New York make for a charming study in contrasts.
HOME
Six years ago, Marc Jacobs got a call about a house designed by Frank Lloyd Wright. Making it his own, he writes, would be about love, commitment, anxiety, patience, struggle, and, finally, a kind of hard-fought, hard-won peace.
GIRL, INTERRUPTED
Anna Weyant found extraordinary fame as an artist before she had reached her mid-20s. Then came another kind of attention. Dodie Kazanjian meets the painter at the start of a fresh chapter
ROLE PLAY
Kaia Gerber is someone who likes to listen, learn, read books, go to the theater, ask questions, have difficult conversations, act, perform, transform, and stretch herself in everything she does. That she's an object of beauty is almost beside the point.
CALLAS SHEET
Maria Callas's singular voice made her a legend on the stage. In a new film starring Angelina Jolieand on the runwaysthe romance continues.
BOOK IT
A preview of the best fiction coming
GLOBAL VISTAS
Three new exhibitions offer an expansive view.
MONDAYS WITH MARC
Just how many Met Galas has Marc Jacobs attended? A few of his favorite guests recount fanciful nights at the museum-past and present.