We produce exceptional things when it comes to clothes, and bags, because we have great artisans—so I thought, Why not jewelry?” Matthieu Blazy, the creative director of Bottega Veneta, is in Venice describing his unhurried approach to the house’s latest endeavor: its first fine jewelry collection. We are discussing these glittering prizes sequestered in a salon in a ridiculously elegant 15th-century Venetian palazzo; on the table between us are the 15 pieces that make up this inaugural undertaking—sleek if gargantuan teardrop earrings; chain bracelets imposing enough to ward off evil spirits; rings whose sweetness is cut with thorns. (The pieces in this initial collection are grouped into four families: Drop, Catena, Primavera, and Enlanced.)
“We started with very few objects,” Blazy explains, with the quiet intensity that informs both his personality and his work. Since taking the reins at Bottega Veneta in late 2021, Blazy has treaded that enviable territory between astonishing artisanal craft and unforced modernism, with his collections among the most anticipated in any fashion season. Maybe it is not so surprising, then, that he should be drawn to creating jewelry that echoes the clean lines and discreet whimsy—those feather hems!—of his clothes. Then again, the whole notion of “investment dressing” has lately undergone a seismic shift: It no longer means predictable classics that last forever, but now includes one-off pieces that justify their price tags with both their uniqueness and the care with which they are made. And isn’t fine jewelry, after all, the ultimate investment—deeply personal, crafted to last for generations? (Last point: If times are tough, you can’t melt a dress and get your money out, but a serious piece of jewelry will always retain its worth.)
Denne historien er fra November 2024-utgaven av Vogue US.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra November 2024-utgaven av Vogue US.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Different Stages
A trio of novels spirits you far away.
Spinning a Web
Not muscle, not bone, but fascia the network of tissue that connects it all is grabbing the therapeutic spotlight.
The Wizard
Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.
THE SEA, THE SEA
A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Canvas the City
Martha Diamond captured the brisk energy of Manhattan.