For the last 20 years, British-Indian collector Rajan Bijlani has been painstakingly tracking down furniture from the city of Chandigarh, designed by a group of modernists, led by Le Corbusier and Pierre Jeanneret. Located in the northern Indian state of Punjab, Chandigarh was conceived in 1947 (see W*147), when India and Pakistan partitioned and the British occupation ended. Jawaharlal Nehru, India's first prime minister, sought to fashion a modern and forward-thinking country by building a city from scratch, commissioning Le Corbusier and Jeanneret to design the masterplan, many of the city's main buildings and its furniture.
Crafted between 1954 and 1966 - primarily from teak and rosewood - the furniture is a unique fusion of Eastern and Western design, which Bijlani first started acquiring in 2004 in a collection that now amounts to around 500 pieces.
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POLE POSITION
A compact Melbourne house with a small footprint is big on efficiency and experimentation
URBAN OASIS
At an art-filled Mexico City residence, New York designer Giancarlo Valle has put his own spin on the country's traditional craft heritage
WARM FRONT
Designer Clive Lonstein elevates his carefully curated Manhattan home with rich textures and fabrics
BALCONY SCENE
A Brazilian island hotel offers a unique approach to the alfresco experience
ENSEMBLE CAST
How architect Anne Holtrop is leaving his mark on the Middle East
Survival mode
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FLASK FORCE
A limited-edition perfume collaboration between two Spanish craft masters says it with flowers
BLOOM SERVICE
A flower-shaped brutalist beauty in Geneva gets a refresh
SECOND NATURE
A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings
Guiding light
Designer Joe Armitage follows his grandfather's footsteps in India, reissuing his elegant midcentury lamp and creating a new chandelier for Nilufar Gallery
