Through history, every textile knew its status, from commonplace weaves to luxury silks and satins. The ticking stripe was ranked among the lowly. It was used to make butchers’ aprons, army tents and even corsets, but most of all it covered mattresses.
Ticking was first known in Europe during the medieval period. Its appeal as a cover for mattresses came from the density and strength of a weave that helped to stop the straw or feather inner from working through. True ticking has always been, and still is, a herringbone weave. This takes each weft thread over two or three warp threads instead of over just one, so more threads are packed together, giving the weave greater density anda characteristic diagonal line. Many feather pillows still have cases in herringbone, so history has proved the point.
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Denne historien er fra November 2022-utgaven av Homes & Antiques.
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Lisa Coppin
The Cotswold Company’s chief creative officer shares the pieces that mean so much to her
TRAVEL
Six of the best pineta, plus a festive trip to Covent Garden. Review of The Orange, Belgravia by Katie Pike, travel stories
OLD SHEFFIELD PLATE
Stumbled upon by chance, this ingenious material was a more affordable option than solid silver, and well-preserved examples are particularly desirable today
Merrily on high
Summoning servants since the 1700s, bell boards create instant English country-house style (even if you don't have any servants). Emma Longstaff dons her pinny
Let it snow
Nostalgic, magical and highly collectable, snow globes are curious objects of wonder that never fail to instil joy
Velvet Crush
Once the preserve of the wealthy, velvet finally touched all levels of society, thanks to advances in its production process
Celebrating in the Stable
Antiques dealer Julia von Hülsen specialises in Gustavian pieces - all of which look perfectly placed in her German home
THE SHOW MUST GO ON
Victorian toy theatres charming and exquisitely designed miniature worlds have inspired theatre royalty for decades. Today, the tradition is being kept alive by a small but talented network of makers
NICHOLAS LEES
The ceramic artist talks to Dominique Corlett about new ways of working with clay and blurring the edges of solid objects
Candy CHRISTMAS
Pastel hues, vintage decorations and bowls of sweet treats: the festive run-up is gloriously joyful at Bettina Færgeman's historic Copenhagen apartment, where there's an emphasis on entertaining...