There’s something unmistakably 1970s about Vivienne Brennan’s Carlton Ware money boxes – the psychedelic bright colours, the bold graphic design. They’re incredibly confident and ‘flower power’. I didn’t own one when I was a child, but I do feel quite nostalgic about them.
The very first I bought at a vintage fair in around 2010 – it caught my eye because it was an owl in lovely blues and purples. I didn’t care that it was a money box or that it was a piece of Carlton Ware. In fact, I thought I didn’t really like Carlton Ware. In the 1990s I used to help my dad with his stall at antiques fairs, and he was selling a lot of the 1930s Carlton Ware – lettuce leaf plates and flowery dishes. But they’re not my kind of thing at all – too pretty, too chintzy.
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Denne historien er fra May 2023-utgaven av Homes & Antiques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Lisa Coppin
The Cotswold Company’s chief creative officer shares the pieces that mean so much to her
TRAVEL
Six of the best pineta, plus a festive trip to Covent Garden. Review of The Orange, Belgravia by Katie Pike, travel stories
OLD SHEFFIELD PLATE
Stumbled upon by chance, this ingenious material was a more affordable option than solid silver, and well-preserved examples are particularly desirable today
Merrily on high
Summoning servants since the 1700s, bell boards create instant English country-house style (even if you don't have any servants). Emma Longstaff dons her pinny
Let it snow
Nostalgic, magical and highly collectable, snow globes are curious objects of wonder that never fail to instil joy
Velvet Crush
Once the preserve of the wealthy, velvet finally touched all levels of society, thanks to advances in its production process
Celebrating in the Stable
Antiques dealer Julia von Hülsen specialises in Gustavian pieces - all of which look perfectly placed in her German home
THE SHOW MUST GO ON
Victorian toy theatres charming and exquisitely designed miniature worlds have inspired theatre royalty for decades. Today, the tradition is being kept alive by a small but talented network of makers
NICHOLAS LEES
The ceramic artist talks to Dominique Corlett about new ways of working with clay and blurring the edges of solid objects
Candy CHRISTMAS
Pastel hues, vintage decorations and bowls of sweet treats: the festive run-up is gloriously joyful at Bettina Færgeman's historic Copenhagen apartment, where there's an emphasis on entertaining...