OH, to have been a fly on the wall in 1898 when Henry Avray Tipping first cycled down the steep hill just outside Bradford-on-Avon and saw below him the River Frome, coursing through its pretty Gothic bridge, and, on his right, the buff-stone walls of Iford Manor. He was immediately charmed by 'its splendid hanging woods, its stately terrace walk, its interesting house with so much history in its medley of styles, its pleasant position near the river with its picturesque bridge'. Was he, perhaps, walking up the garden's triple flights of stone steps when it first clicked that this was the very same property that his house-hunting friend, architect Harold.
Peto, had told him about? Worried that the house was too close to the road and river and that the estate was 'overshadowed and overgrown, neglected and decayed', Peto had held back his offer to buy it.
Tipping, soon to become Architectural Editor at COUNTRY LIFE, thought, on the contrary, that 'the faults were overshadowed by the amenities' (COUNTRY LIFE, September 28, 1907). Perhaps his enthusiasm was enough to tip the balance, for, a year later, Peto bought the estate and soon began works on both house and garden. The latter is Italianate in style, with three initial terraces linked by flights of stone steps, along which he placed piers topped with antique statues and urns. Further treasures gathered on his travels are arranged throughout the garden and placed with the same care as a rock in a Japanese garden-of which there is one here, for Peto also journeyed to Japan. His eye was as infallible as his taste. The result is a garden with such atmosphere and beauty that it almost defies description. It remains, as Patrick Taylor declared, in The Oxford Companion to the Garden (2006), 'his most complete and attractive garden'.
Denne historien er fra May 08, 2024-utgaven av Country Life UK.
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Denne historien er fra May 08, 2024-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
