ON a spring day in 1920, Joan Miró found his way to Pablo Picasso’s studio on the Rue de la Boétie, in Paris. For this much-anticipated first meeting, the young Catalan artist came armed with a cake, at the behest of Picasso’s mother, who was an old family friend. It would appear both artist and gift were well received, as Picasso soon took the fellow Spaniard under his wing, introducing him to the city’s avant-garde circles and even buying one of his self-portraits. During this period, the pair of would-be titans were experimenting with entirely new ways of seeing the world. Unbridled by any particular style or medium, they interrogated the principles of Surrealism, abstraction and the power of the unconscious. As Picasso married neo-Classical sensibilities with Cubist theories, Miró had begun moving from stylised representation to his unique form of symbols and hieroglyphs. Soon, their stars rose to imperceptible heights, to become two of the most ground-breaking artists of the 20th century.
Barcelona, €4.2 million (about £3.7m)
Completely restored in 2000, this light and airy apartment occupies an entire floor in a historic building overlooking the city's Avenida Diagonal. Spread over 5,963sq ft, the apartment boasts two spacious suites with en-suite bathrooms, a further two bedrooms and separate bathrooms, an office, library and a fully equipped kitchen designed by La Cornue.
Amat Luxury (00 34 93 452 9960; www.amatluxury.com)
Denne historien er fra March 22, 2023-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra March 22, 2023-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
