Never previously described in COUNTRY LIFE, this outstanding Scottish castle is architectural testimony to the exceptional wealth of its creator. John Goodall reports on its history and recent revival
ON Tuesday, April 5, 1830, The Times carried a report on a recent electoral scandal in the notorious rotten boroughs of Weymouth and Melcombe Regis, Dorset. Drawing on the evidence of a court case, it was revealed that a sitting MP, Col John Gordon of Cluny, 'a man of large landed estate and considerable wealth as well as of considerable ambition', had secretly supported the campaign of Edward Sugden later Lord Chancellor―to be returned to Parliament. He had done so in competition with his own brother-in-law and to the detriment of his young nephew's interest (of whom he was guardian).
All this for the hope of a peerage. The report mocked the colonel's unfulfilled ambition to become 'Thegn of Cluny' and quoted a letter in which the disappointed nobleman estimated the cost of his bid at the astonishing sum of $40,000.
The colonel-a predictably staunch opponent of Parliamentary reform-abandoned his political career and used his connections to torpedo the connected court case. His bid for a title, however, was only one element of his determined pursuit of self-aggrandizement.
The other was the ongoing remodeling of his Aberdeenshire seat, which had been purchased by his grandfather and namesake several decades earlier. John Gordon Snr is a figure of unknown parentage, first documented in 1740 as an Edinburgh merchant.
He was also seemingly a kinsman to Cosmo, 3rd Duke of Gordon, whom he served as a factor, and after whom he named his eldest son. A reputed miser, 'to whom every shilling he got within his fingers stuck' (as one anonymous contemporary asserted), he enriched himself in the cheap land market created by the '45 Jacobite Rising.
Denne historien er fra March 20, 2024-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra March 20, 2024-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery