ALTHOUGH most people will have heard of Knebworth House, in Hertfordshire, the garden village that was developed on the estate in the Edwardian period, with Sir Edwin Lutyens as its consulting architect, is less familiar. This is surprising, given the attention that has been given to garden cities and garden suburbs in general, not least because, around the year 2000, the creation of new garden villages was promoted as a solution to the planning dilemma of where to build more homes in the crowded South of England.
The Department for Communities and Local Government has more recently re-asserted the point in its publication Locally-Led Garden Villages, Towns and Cities (March 2016).
Furthermore, bucolic Knebworth Garden Village was important in Lutyens's career, as a stepping stone-unlikely as it might seem on the path to the vastly bigger town planning venture. Astonishingly, before his involvement in New Delhi in India, Central Square at Hampstead Garden Suburb in north London was the only other significant piece of urbanism that he had designed.
Lutyens's influence on Knebworth, beyond buildings produced under his eye, can still be seen by those who know where to look.
This is no thanks to the local planning authority, which seems determined to betray his legacy, despite strenuous local efforts to perpetuate it. Rather than take account of local circumstances, planners point at national policy, which they seem insistent on applying.
The connection to Knebworth came through Lutyens's wife, Lady Emily Lytton: the house was her family's seat. In truth, she did not spend many years there when growing up. Although her father, a diplomat, poet and Viceroy of India, was made an Earl, he had little income to support the title; besides, he was made the British ambassador to France in 1887 and it was in Paris that he died in 1891.
Knebworth House remained let even after the Earl's eldest son, Victor, came of age in 1897.
Denne historien er fra February 28, 2024-utgaven av Country Life UK.
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Denne historien er fra February 28, 2024-utgaven av Country Life UK.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery