THE important debate about new housing—how much is needed, where to build it and how to design it—continues to rage. Discussion of the issue, however, commonly generates more heat than light, with politicians, developers and local communities often making irreconcilable demands of each other. It doesn’t help, either, that coverage is usually framed in national terms, so the points of note in specific projects easily lose focus. More helpful, therefore, is to try and look at the experience of a single county, Dorset. It’s the more interesting because it is here that one of the most debated of all recent developments that tried to break the mould—Poundbury, begun in 1993—is now nearing completion.
The earliest phase of Poundbury (Fig 1), on the undistinguished western edge of Dorchester, is generally low rise, rarely more than two storeys, perhaps more villagey than urban. As the development has advanced uphill, it has become progressively more ambitious, with many taller buildings in Regency urban idioms—some of the terraces and groupings being reminiscent of Cheltenham—until the visitor arrives at the grandiose civic focus, the predominantly Palladian Queen Mother Square. Many Modernist architects and critics have sneered at Poundbury, but it would appear to have set a positive example to at least some of the county’s small builders and developers. They have drawn profitable lessons from it about how to deploy local materials and vernaculars and how to juxtapose components to achieve seemingly unselfconscious groupings of buildings in a wider development.
Denne historien er fra March 01, 2023-utgaven av Country Life UK.
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Denne historien er fra March 01, 2023-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
In an eye-baffling arrangement of geometric shapes, a sinister-looking clown and a little girl, Test Card F is one of television’s most enduring images, says Rob Crossan
'Without fever there is no creation'
Three of the top 10 operas performed worldwide are by the emotionally volatile Italian composer Giacomo Puccini, who died a century ago. Henrietta Bredin explains how his colourful life influenced his melodramatic plot lines
The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
The distinction between plums, damsons and bullaces is sweetly subtle, boiling down to flavour and aesthetics, but don’t eat the stones, warns John Wright
Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
In Iceland, a land with no monks or monkeys, our correspondent attempts to master the art of fishing light’ for Salmo salar, by stroking the creases and dimples of the Midfjardara river like the features of a loved one
Bravery bevond belief
A teenager on his gap year who saved a boy and his father from being savaged by a crocodile is one of a host of heroic acts celebrated in a book to mark the 250th anniversary of the Royal Humane Society, says its author Rupert Uloth
Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds