BRITAIN ends in Harrington Gardens. Although white stucco behemoths and choleric London brick buildings make a perfunctory appearance, there’s an air of Northern Europe to this South Kensington Street— a triumph of straight, scroll and stepped gables that could have come straight from Bruges or Lübeck. Borrowing designs from the early-Renaissance buildings of Flanders, Holland and Germany was the inspired idea of architects Ernest George and Harold Peto, who collaborated to create this slice of Kensington & Chelsea.
Of the two, Peto would later become more celebrated, but, when Harrington Gardens was built, George was the more experienced. The son and grandson of ironmongers, he had discovered an interest in architecture at an early age—‘I… plotted to scale the school house and grounds, and persuaded my parents I should like to become an architect,’ he recalled in The Builder in 1921. In 1861, he opened his own practice in partnership with Thomas Vaughan, with whom he would go on to design, among others, a villa in Spain for the 2nd Duke of Wellington and Rousdon, the Devon home of biscuit magnate Sir Henry Peek.
Denne historien er fra April 05, 2023-utgaven av Country Life UK.
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Denne historien er fra April 05, 2023-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery