MELKINTHORPE is one of those places that you would only visit if you had a good reason. The hamlet is six miles south-east of Penrith and the reason people travel there from far away is the remarkable nurserycum-garden known as Larch Cottage. It is a place of dramatic beauty that has become a site of pilgrimage for gardeners from all over Britain. Never have architectural ingenuity, horticultural beauty and commercial plantsmanship been so perfectly combined.
Larch Cottage is one of a terrace of properties along the no-through road that is Melkinthorpe’s only access. It is said to have been the abode of Cumberland’s last highwayman. The cottage has a red Royal Mail box in its wall that dates from the reign of Queen Victoria. There is nothing to hint at the excitements that await the visitor who enters the door and passes into the multitude of garden rooms beyond.
Larch Cottage is the creature of Peter Stott, a garden designer who bought the property in 1984. Mr Stott is a local man— a Cumbrian—who grew up in Penrith, studied fine art, worked as a ballet dancer in London and returned to his roots to fulfil his love of art, architecture and plants. He set up a landscaping business and bought Larch Cottage as a place where he could grow interesting plants for the gardens he designed. His stock came from nurseries in the south of England and, in those early years, consisted mainly of hardy herbaceous perennials that were difficult to find closer to home.
Denne historien er fra October 18, 2023-utgaven av Country Life UK.
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Denne historien er fra October 18, 2023-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery