AN English character pervades our historic buildings, in town and country. This statement can readily be proved by asking any educated British audience—of COUNTRY LIFE readers, as it might be—to distinguish between photographs of an English village, castle, church, high street, farmhouse or country house and their equivalents in France, Spain, Germany, or any other European country. The audience will recognise their own every time. If the Englishness was not real and recognisable, this would hardly be possible. Thus there is no doubt that it is there: defining it, however, is rather more difficult.
There are overarching forces that helped shape this tradition, in particular the influence of the Crown. Our kings and queens have historically tended to employ—and also thereby helped to create—the outstanding craftsmen of every generation. Their taste has also been actively emulated by courtiers, the group before the Industrial Revolution most likely to enjoy the resources to build on the grandest scale. And their work, in turn, informed wider fashions for building. But there is much more to understanding this tradition, which has deep historical roots.
Denne historien er fra October 18, 2023-utgaven av Country Life UK.
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Denne historien er fra October 18, 2023-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
