AS well as becoming sovereign of numerous realms, Head of the Commonwealth and Supreme Governor of the Church of England, Charles III has inherited more duties than he or anyone else could easily call to mind. One likely to give him great satisfaction is the oversight of the Royal Collection. His enthusiasm for art and history is evident and his rescue of Dumfries House, turning it into an important cultural asset, bodes well for his management of the collection. His late mother may not have shared these interests to the same degree, but here, as in so much else, she was an admirable exemplar.
The Royal Collection is unlike any other assemblage of art. Although not a museum, and subject to different constraints, in terms of size, scope and quality it bears comparison to any of the world’s greatest national museums and galleries. The paintings, Leonardo drawings and Fabergé are probably what come most imme- diately to mind, being its most visible elements through exhibitions and publications, but this is a ‘collection of collections’, brought together over generations, rather than one focused on specific areas or artists.
Denne historien er fra May 03, 2023-utgaven av Country Life UK.
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Denne historien er fra May 03, 2023-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery