STAND by a stream and you might just hear the gentle chatter in its rippling rhythm. Look up at a tree canopy on an autumn day and see a cathedral of colour. Stand on a hilltop and look out over fields and rivers, villages and market towns. J. R. R. Tolkien's imagination was populated by these encounters with the British landscape and he richly threaded both knowledge and memory through his work as a fantasy writer. This year, his novel The Lord of the Rings: The Fellowship of the Ring celebrates the 70th anniversary of its original publication, in 1954. The story is of an unassuming, home-loving character named Frodo Baggins, who agrees to undertake a perilous quest that sees him depart a pastoral landscape and venture into increasingly doom laden terrain that is mountainous and brutal.
In The Fellowship of the Ring, Nature's beauty and harmony is evermore imperilled by a growing and all-encompassing threat.
One has only to see Tolkien's watercolour of Hobbiton village, which he painted in 1937, to see how steeped his Middle-earth is in the shapes, colours and patterns of the countryside. The writer's affection for Nature ran deep and, although he chose to write a fantasy, he detailed it with attention to the colours, forms and sounds of natural and farmed places and spaces. In knitting together the real, the fantastic and the whimsical in a very British rural landscape, Tolkien was looking back in part to Kenneth Grahame's The Wind in the Willows. Indeed, in Grahame's novel, the chapter entitled The Piper at the Gates of Dawn draws on the realms of myth and folklore to conjure an otherworldly, riparian adventure for Rat and Mole. Across the breadth of his work, Tolkien emerges as a Nature writer.
Denne historien er fra March 20, 2024-utgaven av Country Life UK.
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Denne historien er fra March 20, 2024-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
