ARTHUR MILLER enters the Actors Studio, drawing its crowd into a reverent silence. Marilyn Monroe sits on a shadowy stage in front of him, about to perform, flanked by other actors in a half-circle. She's in a black dress, legs crossed and a coat slung over her shoulders, her face fixed in a terrified expression. The scene cuts between Miller at the back of the audience, presumably at the studio to cast his next play, and Monroe in the center of that stage, there to train. Her gaze darts between the script pages shaking in her hands and the reactions glinting across Miller's face. Tears dangle from her lash line like diamonds in suspended animation. When she's called to speak, they fall. "Not my Magda," Miller says, referring to his first, unconsummated love, on whom a character in his play is based. Monroe's mouth pops open, but she's stopped from speaking by a freeze-frame. We don't get to see her performance or regard the skill that ends up moving Miller to tears.
"Actress must have no mouth," Monroe once wrote about the industry in a diaristic poem collected in the book Fragments: Poems, Intimate Notes, Letters. In Blonde, Andrew Dominik's faithful film adaptation of Joyce Carol Oates's hothouse gothic novel, which casts Adrien Brody as the presumptuous yet softly rendered Miller and Ana de Armas as the immobilized Monroe, the actress must have no voice either. It's not that she doesn't speak, as much as what she says matters less than what she endures.
Over the 60 years since Monroe's death, her history has become a vehicle for investigations into mid-century Americana, female sexuality and female madness, and the cruelty of the Hollywood dream factory.
Denne historien er fra October 10, 2022-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra October 10, 2022-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.