President Joe Biden walked before a row of flags and took his place at a lectern stamped with the presidential seal. A few feet in front of him, thin panes of teleprompter glass, programmed with prewritten remarks, were positioned to meet his stare as he spoke into a microphone that would carry his voice through a soundsystem. His White House press secretary looked on. So did several senior White House officials. Anxiety clung to the humid summer air. What the president was about to say might determine the future of his presidency and perhaps the Republic itself.
Yet this was not to be some grand pronouncement about war or peace or a shift in domestic policy. He was not delivering an official address or even a rally speech. He was not onstage in a stadium or auditorium or perched on a platform in a gilded government or hotel ballroom. He was not speaking to a crowd of thousands or even hundreds. There would be no video of his statement carried live to the world. There would be no photos. And there would be no published audio.
In a tent on the backyard patio of a private home in suburban New Jersey, the president was eye to eye with a small group of powerful Democrats and rich campaign donors, trying to reassure them that he was not about to drop dead or drop out of the presidential race.
The content of his speech would matter less than his perceived capacity to speak coherently at all, though much of what he would say would not be entirely decipherable. His words as always had a habit of sliding into a rhetorical pileup, an affliction that had worsened in the four years since he began running for president for the third time in 2020. He might begin a sentence loud and clear and then, midway through, sound as if he was trying to recite two or three lines all at once, his individual words and syllables dissolving into an incoherent gurgle.
Denne historien er fra July 15-28, 2024-utgaven av New York magazine.
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Denne historien er fra July 15-28, 2024-utgaven av New York magazine.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
