ACTRESS, SINGER, and Hollywood icon Sheryl Lee Ralph welcomes me into her home as if I were one of her children. At her Hancock Park-adjacent residence in L.A., a sweeping set of stairs leads to her front door. Opening it, she looks every bit the fabulous woman who starred as Deena Jones on Broadway in Dreamgirls. I expect her place to be nothing short of chic, chic, chic.
And it is chic, but it's more in keeping with the style of a mother who has nurtured us through a television screen for decades. It's not cold-this house is lived in. She purchased it in the early 1980s with the money she earned from her first series contract role on TV, ABC's It's a Living. It feels like I'm in my own mother's home or in the home of any Black woman who has been a mother figure, guardian, or babysitter throughout my life. I'm shocked the furniture isn't preserved with plastic, but I suppose she can afford to remove a stain from her couch if necessary.
Since the birth of the family sitcom, America has had any number of surrogate mothers. Black sitcom characters like Florida Evans and Vivian Banks took up the mantle of June Cleaver and Carol Brady. To paraphrase Oprah Winfrey, they are the mothers we never had.
It's rare that an actress gets to be a surrogate mother twice in her career, or even once with any lasting impact, but television history will remember Moesha's Dee Mitchell and Abbott Elementary's Barbara Howard, two matriarchs portrayed by Ralph. On the former, we saw Ralph as the stepmother of the Mitchell clan, keeping her eye on a rebellious Brandy Norwood. On the latter, we see Ralph act as a guardian-hopeful, hilarious, kind, and cynical all at once-to her students at an underprivileged Philadelphia elementary school.
Denne historien er fra August 29, 2022-utgaven av New York magazine.
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Denne historien er fra August 29, 2022-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.