At Harvard, a coalition of pro-Palestine student groups signed a statement holding Israel "entirely responsible" for Hamas's attack before its full and horrific dimensions could even be known-and before administrators had managed to issue their own statement, which, in turn, proved too neutral for dozens of pro-Israel faculty members, who published an open letter, prompting another statement from Harvard's president, Claudine Gay, which more explicitly condemned Hamas's "terrorist atrocities." Similar cycles of statement and restatement played out at NYU, Stanford, and Indiana University.
The situation became so fraught at Williams College that its president, Maud Mandel, announced she would no longer be making any statements on any domestic or international matters. "I have become convinced that such comments do more harm than good," she said. "They support some members of our community in particular moments while intentionally or unintentionally leaving out others. They give some issues great visibility while leaving others unseen"
But it wasn't just college campuses. Statements rushed in from every corner, from politicians and business leaders; from brands and celebrities; from professional sports franchises, venture-capitalist firms, and labor unions. Every new statement was an opportunity for scrutiny, for dissatisfaction, for rancor. Even ordinary people, I noticed, seemed to adopt the rhetorical tics of statementese, as if their social-media posts, too, were being written by committee, in consultation with crisis managers, calculated to assuage several constituencies: "My heart goes out to ..." "While I strongly condemn ..."
"Two things can be true at once..." "We here at Sam Adler-Bell's Twitter account..." And when these statements, inevitably, were found wanting, we condemned them too.
Denne historien er fra October 23 - November 5, 2023-utgaven av New York magazine.
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Denne historien er fra October 23 - November 5, 2023-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten